![]() ![]() As such we can play anything and we can easily arrange any song for Cello and Piano. We have studied music and both have post graduate qualifications. ![]() Jules and Anne-Marie are both professional musicians. But the point to note, is that our listen page, and the songs thereon, are by no means our complete repertoire list. On the contrary these are just recordings we have made to give you inspiration when choosing your wedding music.Īs we have recorded some of the more popular songs, a lot of wedding couples do tend to pick from this ‘list’. Yes we have a listen page which has approximately 150 songs on it and counting. This usually falls under the heading of repertoire list or something similar. Most musicians ask their wedding couples to choose from a list of songs or pieces which is published on their website. Ok, so maybe not quite that important! But, we have spoken to hundreds of brides over the years and the ‘aisle song’ as it’s sometimes known, is a very big deal. Starting with the entrance of the bride, selecting the correct song is almost as important as picking the right dress. Violin in 1st movement only.Getting the music right for your wedding is extremely important. Related to RV 433 and RV 570 all three works titled La tempesta di mare. Closely related to RV 104įour 'national' concertos, La Francia, La Spagna, L'Inghilterro, Il Gran Mogol, of which all but Il Gran Mogol, RV 431a, are lost (these are now catalogued separately: see RV 821, 822, 825). Published in Amsterdam by Le Cene (#544). 146.Ĭoncerto for 2 clarinets, 2 oboes, strings Manuscript source Turin: Foa 32, BL 135–142ĭedicated to the Marquis of Marzin (or "Morzin", "Morcin") Ripieno manuscript source Turin: Foa 30, BL 42–49 Ripieno manuscript source Turin: Foa 30, BL 55–60. Related to the serenata La Sena festeggiante, RV 693. ![]() ![]() Related to the sinfonia for the opera Giustino, RV 717. Most of Vivaldi's works do not have an opus number and so they are referred to by a catalog number such as the Ryom-Verzeichnis number.Ĭoncertos, sinfonias, sonatas Form The work includes six sonatas for musette (or vielle à roue) and basso continuo. Chédeville supplied the funding and received the profits, all of which was documented in a notarial act by Marchand in 1749. Six flute concertos (a second version for recorder was printed in Venice)įive violin concertos, one oboe concerto, the second in E minor, RV 277, being known as Il favorito ( The Favorite)įive violin concertos and one without soloĪn alleged "Opus 13", Il pastor fido ( The Faithful Shepherd) was published in 1737 by Jean-Noël Marchand through a secret agreement with Nicolas Chédeville to publish a collection of Chédeville's compositions under Vivaldi's name. La cetra ( The Lyre), 12 violin concertos, all for solo violin except for No. Il cimento dell'armonia e dell'inventione (The Contest between Harmony and Invention), 12 violin concertos, which include the first four concertos known as Le quattro stagioni ( The Four Seasons)Ģ69, 315, 293, 297, 253, 180, 242, 332, 236/454, 362, 210, 178/449 1 and 7 (both in B-flat major) for oboe, and No. Six sonatas, four violin sonatas and two sonatas for two violins and basso continuoġ2 concertos (two for oboe and 10 for violin), of which three are considered inauthentic: Nos. L'estro armonico ( The Harmonic Inspiration), 12 concertos for various combinations, of which the best known are No. ![]()
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